"An artist's work usually becomes highly dispersed as single-identity elements laced with multiple-identity elements most commonly, prints of various sorts. The Internet offers a readily accessible means of providing a written catalogue combined with a sufficient visual record to provide a concentrated flavour of the range of the artist's endeavours and working methods." Art 4 C21, July, 2010 |
![]() Flooded Romiley |
![]() TSotM | ![]() Argentism | ![]() Postal Art | ![]() Eclectica | ![]() Recordings |
![]() Postal Art 2 |
![]() Who's To Blame | ![]() Card Art | ![]() Local | ![]() ConCom | ![]() Mr. Wydey |
![]() Coin Art | ![]() Jenson | ![]() Garbagegate! |
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"People can express the same concept in many ways, all of equal value; and some people think that they can get away with any old rubbish!" ..... Grand Art Revue, 1991/02 ![]() |
'Works of art', allegedly worth thousands of pounds, chucked out by cleaners; 'paintings' by elephants and chimps; cardboard boxes insinuated into Tate Modern. No wonder people are asking, "What is art?" Well, if it shows craftsmanship and, optionally, originality; if it has visual complexity and/or directness and clarity; and if it doesn't look like something which anyone at all could have knocked out in half an hour, then it's probably art. And if it looks like a job for the cleaning staff or the dustmen, then it definitely ain't art! |
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Definitions for the 21st Century : Brit Art tosh from the aesthetically challenged. ..... Grand Art Revue, 2004/01 ![]() |
![]() | No trees were consumed by HTSP Web Division in creating this website for Romiley Arts Federation. © RAF, MM22 | ![]() |