BIOGRAPHIES and Autobiographical Material

BALDWIN, Neil

Man Ray
The first full - and entirely illuminating - biography of this most elusive of artists". Bibliography. 450 pages.
Hamish Hamilton, 1989.

BELLOS, David

Georges Perec: A Life in Words
Harvill, 1993.

ETHERINGTON-SMITH, Meredith

Dali: a biography
Sinclair-Stevenson, 1992.

FLAVELL, M. Kay

George Grosz: a biography
355 pages. Yale U.P. 1988.

GROSZ, George

A small yes and a big no
(1955) Translated Arnold J. Pomerans. 246 pages.
Allison & Busby, 1982.

HESS, Hans

George Grosz
(1974) Yale U.P., 1985.

LOWE, John

Edward James, Poet, Patron, Eccentric: A Surrealist Life.
Collins, 1991.

McGIRK, Tim

Wicked Lady: Salvador Dali's Muse
...the bizarre life story of Gala, Salvador Dali's wife, agent, model and muse, unveiled in all its macabre awfulness for the first time
Hutchinson/Headline, 1989/1990.

POLIZZOTTI, Mark

Revolution of the Mind: The Life of André Breton
Bloomsbury, 1995.

RAY, Man

Self Portrait
Bloomsbury, 1988.

SECREST, Meryle

Salvador Dali: A Biography
E.P. Dutton, NY, 1986.

TOMKINS, Calvin

Duchamp: a biography
550 pages.
Chatto & Windus, 1997.

ART HISTORY, exhibition catalogues, etc.

ARTISTS:
Salvador DALI [11 May 1904 - 23 January 1989]

DESCHARNES, Robert & NÉRET, Gilles

Salvador DALÍ - The Paintings 1904-1989.
A catalogue raisonné accompanied by drawings, writings and other documents, and work Dali did in film, fashion, objets d'art, and other areas.
Taschen, Köln, 2001.

GIBSON, Ian

The Shameful Life of Salvador Dali
In this revelatory study, Gibson shows how Dali lived a 'shameful life' in every way - underlying his exhibitionism was an intense feeling of shame; as an adolescent he was crushed by an extreme sense of inferiority - his salvation lay in the creation of an outrageously exhibitionist persona dedicated to doing 'shameful' things. He explores the literary side to Dali's career and re-examines the two principal relationships of his life: with Lorca and the enigmatic libidinous Gala.
Faber & Faber, 1997.

RAEBURN, Michael (Ed)

Salvador Dali: the early years
Published on the occasion of the exhibition at the Hayward Gallery, London, March-May 1994. Essays by Gibson, Ades, Torroella, Fanés, Vidal.
Thames & Hudson, 1994.

SOBY, James Thrall

Salvador Dali
With brief chronology; list of exhibitions; collaborations in films, ballets and jewelry design. Bibliography by Bernard Karpel.
Museum of Modern Art. NY, 1947.

WILSON, Simon

Salvador Dali
Catalogue of exhibition at the Tate Gallery 1980.

ADES, Dawn, (Editor)

Dali's Optical Illusions
Catalogue for US exhibition travelling to Scottish Nat. Gallery of Modern Art 2000.
Yale UP, 2000.

Paul DELVAUX [23 September 1897-20 July 1994]

SCOTT, David

Paul Delvaux: Surrealizing the Nude
Examines development and significance of major themes and motifs in Delvaux's work, and the artist's attempt to renew academic painting by surrealizing it.
Reaktion Books, 1992.

Marcel DUCHAMP [28 July 1887-1968]

CABANNE, Pierre

Dialogues with Marcel Duchamp
(1967). Preface by Salvador Dali / Introduction by Robert Motherwell / Appreciation by Jasper Johns / Plates / Chronology / Bibliography. 136 pages.
Thames & Hudson, 1971.

DUVE, Thierry de (Ed)

The Definitively Unfinished Marcel Duchamp
Essays and discussion by eleven European and American critics; from a colloquium at the Nova Scotia College of Art & Design, Halifax, in 1987. Index. 488 pages.
MIT Press,1992.

GOLDING, John

Duchamp: The Bride Stripped Bare by her Bachelors, Even
The work discussed in its historical and literary aspects. 116 pages.
Allen Lane Penguin, 1973.

HAMILTON, Richard

The Bride Stripped Bare by Her Batchelors Even Again
A reconstruction by Richard Hamilton of Duchamp's Large Glass.
University of Newcastle upon Tyne, 1966.

The almost complete works of Marcel Duchamp
Catalogue of exhibition at the Tate Gallery 18 June-31 July 1966. Introduction by Richard Hamilton /Chronology / Elements of a descriptive bibliography of Marcel Duchamp's writings, lectures, translations & interviews by Arturo Schwarz.
Arts Council of Great Britain, 1966.

KUENZLI, Rudolf & NAUMANN, Francis M., Eds.

Marcel Duchamp: Artist of the Century
Eleven illustrated essays exploring the structure and meaning of Duchamp's work, ranging from the Munich period and development of ready-mades to the last work, Etant donnés. Originally published as the journal Dada/Surrealism no.16[University of Iowa, 1987].
The MIT Press, 1990.

TOMKINS, Calvin

Duchamp: A Biography
Evokes the artist's complexity and charismatic appeal through interviews, diaries and letters; gives clear accounts of Duchamp's ideas, and considered readings of the work. 550 pages.
Chatto & Windus, 1997.

Max ERNST [1891-1 April 1976]

GATT, Giuseppe

Twentieth-century masters: Max Ernst
96 pages.
Hamlyn, 1970.

LARKIN, David, Editor

Max Ernst
Introduction by A.W. Rossabi. 38 colour plates.
Ballantine Books, NY, 1975.

RAINWATER, Robert, Editor

Max Ernst: Beyond Surrealism. A Retrospective of the Artist's Books and Prints
Catalogue of exhibition at New York Public Library, 1986. 192 pages.
Oxford University Press, 1986.

SCHNEEDE, Uwe M.

The Essential Max Ernst
Translated R.W. Last. 416 pages, 403 plates.
Thames & Hudson, 1972.

TURPIN, Ian

Max Ernst
16 pages; 48 colour plates.
Phaidon, 1979.

George GROSZ [26 July 1893-6 July 1959]

SCHNEEDE, Uwe M.

George Grosz: His life and work
(1975). Translated by Susanne Flatauer. Works, comments, quotations and biographical dates. Marina Schneede-Sczesny: A Pictorial History of the years 1914-1932. Georg Bussmann: Some attitudes to art & politics in the Twenties. Bibliography. 182 pages.
Gordon Fraser, 1979.

GROSZ, George

Ecce Homo
(1923). Unabridged republication of the original edition. 100 plates incl. 16 in colour.
Dover, 1976.

GROSZ, George

Love above all, and other drawings
(1930). Unabridged repub lication of Über alles die liebe and Die Gezeichneten. Author's preface and captions translated by Stanley Appelbaum. 120 plates.
Dover, 1971.

GROSZ, George

The face of the ruling class
(1921) Introduction & notes by Frank Whitford. 57 plates.
Allison & Busby, 1984.

GROSZ, George

The day of reckoning
(1925). Introduction & notes by Frank Whitford.57 plates.
Allison & Busby, 1984.

Hannah HÖCH [1889-1978]

LAVIN, Maud

Cut with the kitchen knife: the Weimar photomontages of Hannah Höch
Yale University Press, 1993.

Richard HUELSENBECK [1892-1974]

KLEINSCHMIDT, Hans J.. Editor

Memoirs of a Dada Drummer
(22 Essays) Foreword by Rudolf E. Kuenzli. Introduction, notes & bibliography by Hans J. Kleinschmidt. Translated by Joachim Neugroschel. Drawings by George Gross, woodcuts by Hans Arp.
University of California Press, 1991.

Paul KLEE [18 December 1879-29 June 1940]

PARTSCH, Susanna

Paul Klee 1879-1940
Translated by Hilary Schmitt-Thomas. 96 pages.
Benedikt Taschen, Köln, 1990.

FREY, Stefan & HELFENSTEIN, Josef

Paul Klee Rediscovered: works from the Burgi Collection
An essential group of 150 oils, watercolours, drawings and prints, released to the public for the first time.
Merrill Publishers, London, 2000.

René MAGRITTE [21 November 1898-15 August 1967]

Magritte
Catalogue of exhibition at Tate Gallery Feb-April 1969. Introduction by David Sylvester. 136 pages.
Arts Council of Great Britain, 1969.

GABLIK, Suzi

Magritte
(1970). 208 pages.
Thames & Hudson, 1976.

CALVOCORESSI, Richard

Magritte
31 pages, 48 plates.
Phaidon, 1979.

HAMMACHER, A.M.

Magritte
(1974) Translated by James Brockway. 127 pages.
Thames & Hudson, 1986.

MEURIS, Jacques

René Magritte, 1898 -1967
Life & works, bibliography, exhibitions, etc. 216 pages.
Taschen, Cologne, 1997.

Man RAY, [27 August 1890-18 November 1976]

PENROSE, Roland

Man Ray
154 illustrations, 208 pages.
Thames & Hudson, 1975.

Kurt SCHWITTERS [1887-1948]

ELDERFIELD, John

Kurt Schwitters
Published on the occasion of an exhibition at the Museum of Modern Art, NY, (also at Tate, London an Sprengel, Hannover, 1985. Prologue: Schwitters before Merz / The Invention Of Merz, 1918-1921 / Develop ment of Merz, 1922-1948 / Postscript: Merz and Modernism. 240 pages and 356 illustrations.
Thames & Hudson, 1985.

GENERAL:

ADES, Dawn

Photomontage
(1976) The Supremacy of the Message: Dada in Berlin / John Heartfield / Propaganda, Publicity & Constructivism / Metropolis: The Vision of the Future / The Marvellous & the Commonplace / Photomontage & Non-Objective Art. 203 illustrations. 176 pages.
Thames & Hudson, rev. edition, 1986.

BALLARD, J.G.

A User's Guide to the Millennium: Essays & Reviews
(1962-1995) Includes several pieces under section The Visual World.
Harper Collins, 1996.

BATCHELOR, David & HARRISON, Charles

Surrealism
(1983) Text and plates for Block XI of Open University Course / Modern Art & Modernism: Part 1 - Development of Surrealist theory and strategy Part 2 - Max Ernst and Joan Miró Part 3 - Critical issues.

CARRÀ, Massimo

Metaphysical Art
(1968) Translated by Caroline Tisdall.
Carlo Carrà, Giorgio de Chirico, Albert Savinio.
Patrick Waldberg: Surrealism & the Metaphysical.
Ewald Ratke: Magic Realism & the Metaphysical.
Thames & Hudson, 1971.

COWLING, Elizabeth

The Magic Mirror: Dada & Surrealism from a private collection
Catalogue of exhibition at the Royal Scottish Academy, Edinburgh, 1988.

EBERLE, Matthias

World War I and the Weimar Artists
Translated by John Gabriel. Elemental Forces and Mechanical Power / Otto Dix: fighting for a lost cause / George Grosz: the irate dandy / Max Beckmann: the tragic king / Oskar Schlemmer: Adam transformed into Prometheus by geometry.
Yale University Press, 1985.

EVANS, David & GOHL, Sylvia

Photomontage: a political weapon
Heartfield and his successors. 112 annotated plates,128 pages.
Gordon Fraser, 1986.

FAR, Isabella

de Chirico
Translated by Joseph M. Bernstein. Reflections on the paintings of Giorgio de Chirico / Biographical sketch / de Chirico's writings. 172 illustrations.
Harry N. Abrams, NY, 1968.

GASCOYNE, David

A Short Survey of Surrealism
Preface by Dawn Ades; Introduction by Michael Remy. A reissue of the classic 1935 publication (minus illustrations, but retaining original Ernst cover.
Enitharmon Press, 2000.

GAY, Peter

Weimar Culture: the outsider as insider
205 pages.
Secker & Warburg, 1969.

German Art in the 20th Century: Painting & Sculpture 1905-1985.

Catalogue of the exhibition held in London 1985, and in Stuttgart 1986. Includes essays on:
Kurt Schwitters: Aspects of Merz and Dada (Hanne Bergius); Max Ernst: "Beyond Painting" (Uwe M. Schneede); The Late Klee (Richard Verdi);Wols (Carla Schulz- Hoffmann); Joseph Beuys (Franz Meyer); and artist biographies. 518 pages.
Royal Academy/Prestel-Verlag, 1985.

GILLMOR, Allan M.

Eric Satie
Demonstrates how cubism, dadism and other avant-garde movements influenced Satie's development. 387 pages. Macmillan, 1988.

JANIS, Sidney.

Abstract & Surrealist Art in America
146 pages. Reynal & Hitchcock, NY, 1944.

LEMOINE, Serge.

Dada Translated by Charles Lynn Clark.
Dada in Zurich, New York, Berlin, Hanover, Cologne, Paris; Meaning and posterity of Dadaism; bibliography; Chronology. 119 pages. Art Data, 1927.

LEWIS, Helena.

Dada Turns Red: The Politics of Surrealism
A look at the movement from a political perspective, tracing its development from Dada, through its stormy relationship with the Communist Party, to its present-day legacy. Edinburgh UP, 1990.

MATTHEWS, Harry & BROTCHIE, Alastair.

OULIPO Compendium. Atlas Press,

MOTTE Jr., Warren F.

OULIPO: A Primer of Potential Literature
Noël Arnaud: Prolegomena to a Fourth Oulipo Manifesto--or Not
Mathews: Liminial Poem
Le Lionnais: Lipo: First Manifesto / Second Manifesto
Lescure: Brief History of the Oulipo Bénabou: Rule and Constraint
Collective: The Collège de Pataphysique & the Oulipo
Queneau: Potential Literature
Bens: Queneau Oulipian
Le Lionnais: Queneau & the Amalgam of Mathematics & Literature
Roubaud: Mathematics in the Method of Raymond Queneau
Perec: History of the Lipogram
Bens, Berge & Braffort: Recurrent Literature
Berge: For a Potential Analysis of Combinatory Literature
Mathews: Mathew's Algorithm
Fournel: Computer & Writer - the Centre Pompidou Experiment
Calvino: Prose & Anticombinatorics
Queneau: The Relation X takes Y for Z / A Story As You Like It
Fournel & Énard:The Theater Tree - A Combinatory Play
Oulipians & Their Works / Notes / Glossary / Index. 209 pp.
Univ. of Nebraska Press, 1986.

MYERS, Rollo H.

Erik Satie
Biographical essay, analyses of compositions, role in contemporary music, and important writings. Republication of the original 1948 edition. 150 pp. Dover, 1968.

OESTERREICHER-MOLLWO, Marianne.

Surrealism and Dadaism: Provocative destruction, the path within and the exacerbation of the problem of a reconciliation of art and life
Translated by Stephen Crawshaw.
The contemporary situation / Dadaism: clean slate, or how far does absolute nonsense go? / Surrealism: the attempt at a creative reconcilation of pure subjectivity and general consciousness / The consequences on the international art scene up to the present day / Irritation & fascination: the viewer's reaction / Brief biographies / Colour plates with explanatory text. 104 pages. Phaidon Press, 1979.

PASSERON, René

Phaidon Encyclopedia of Surrealism (1975) Translated by John Griffiths.
A Short History / Pictorial Surrealism /Automatism / Oneirism / Erotics, Politics and Logic / The Precursors / The Surrealists / Glossary of Terms & Techniques / Groups / Reviews / Exhibitions / Notes / Bibliography. 288 pages. Phaidon, 1975.

READ, Herbert.

Art Now
Faber & Faber, rev. edition, 1936.

RICHTER, Hans.

Dada: art and anti-art (1964) Translated by David Britt.
Zurich dada 1915-1920 / New York dada 1915-1920 / Berlin dada 1918-1923 / Hanover dada / Cologne dada / Paris dada 1919-1922 / Post-dada / Neo-dada.
Thames & Hudson, 1965.

ROH, Franz & TSCHICHOLD, Jan, editors.

photo-eye: 76 photos of the period (1929)
Facsimile of the original edition: Franz Roh, Mechanism & expression: the essence and value of photography. 76 plates, including work by Feininger, El Lissitzky, Grosz & Heartfield, Ray, Ernst, Mesens, Moholy-Nagy, Höch.
Thames & Hudson, 1974.

ROTERS, Eberhard.

Berlin 1910-1933 Translated by Marguerite Mounier.
Janos Frecot & Sonja Günter: City Architecture & Habitat. / Eberhard Roters: Painting / Joachim Heusinger von Waldegg: Sculpture / Ulrich Gregor: Film in Berlin / Arno Paul: Theatre. Wellfleet Press, NJ, 1982.

SCHRADER, Bärbel & SCHEBERA, Jürgen,

The "Golden" Twenties: Art & Literature in the Weimar Republic(1987) Translated by Katherine Vanovitch.
War & Revolution--The time of Manifestos / Inflation--Open Door for a New Art / The "Golden" Twenties--Mass & Avant-Garde / From Brüning to Schleicher--the Forces Polarise / 1933--Descent into the Third Reich. 271 pages. Yale U.P., 1988.

SHORT, Robert.

Dada & Surrealism, Octopus/BCA, 1980.

SURREALISM in England 1936 and after

Catalogue of exhibition at the Herbert Read Gallery, Canterbury College of Art, May 1986, to celebrate the 50th anniversary of the first International Surrealist Exhibition in London, June 1936. 108 pages.
REMY, Michel: British Surrealism, the very prehensile tail of the surrealist comet.
SCOTT, Duncan: Herbert Read and Surrealism.
del RENZIO, Toni: The Absent Text - The Third Manifesto of Surrealism or Else

SURREALISM in Britain in the Thirties

Catalogue of exhibition at the Leeds City Art Galleries, October-December 1986, to celebrate the 50th anniversary of the 1936 International Surrealist Exhibition. ROBERTSON, Alexander: The Heroic Years of Surrealism in France 1924-1936.
REMY, Michel: Surrealism's Vertiginous Descent on Britain.
GOODING, Mel: A Selection of British Texts on Surrealism 1930-1943.
REMY, Michel: British Surrealism - A Chronology
216 pages.

TOMKINS, Calvin.

The Bride & the Bachelors: the heretical courtship in modern art
Introduction / Marcel Duchamp / John Cage / Jean Tinguely / Robert Rauschenberg.
246 pages. Weidenfeld & Nicholson, 1965.

WILLETT, John

The Weimar Years: A culture cut short
Introduction / Upsurge & Aftermath 1918-20 / Turning-point 1921-3 / Sober reality 1924-8 / The culture of cities / Economy & backlash 1929-33. 160 pages. Thames & Hudson, 1984.

WILLETT, John.

The New Sobriety: Art & Politics in the Weimar Period 1917-33
Apologia & plan / War & revolution 1914-20 / Turning point / The New Sobriety 1924-8 / The crunch / 'Kampf' & its illusions 1930-33 / Post mortem / Charts showing Art streams of the 20s; the main movements; organisations and political links, pp. 14-15; Cultural map of the 20s in mid-Europe, p.9. Thames & Hudson, 1979.

WILLET, John

Heartfield versus Hitler
Sharply critical of the Weimar Republic in which he flourished, in Germany his work was banned for the duration of Hitler's Third Reich. In London, where he lived as an anti-Fascist exile throughout the second World War, he remained an outsider till after his return to East Germany in 1950. Éditions Hazan, Paris, 1997.

VOLTA, Ornella

Satie Seen Through His Letters
Translated by Michael Bullock, introduced by John Cage. / Furniture Music / Pseudo-Dadas / Relâche. 239 pp. Marion Boyars, 1989.

NOVELS and Literary Works

ARP / SCHWITTERS / KLEE:

Three Painter-Poets, Selected Poems
Translated with an introduction by Harriett Watts. 160 pages. Penguin, 1974

BALL, Hugo

Flight Out Of Time: A Dada Diary
Edited and with an introduction by John Elderfield - chronicles the first legendary Dada performances & early exhibitions. University of California Press, 1996.

BALL, Hugo / HUELSENBECK, Richard / SERNER, Walter:

BLAGO BUNG BLAGO BUNG bosso fataka!
The first texts of German dada, translated & introduced by Malcolm Green. Atlas Press, 1995.

BANTING, John

A Blue Book of Conversation
Editions Poetry London, 1946.

BATAILLE, Georges (Ed).

Encyclopedia Acephalica / Atlas Archive 3.
173 pages. Atlas Press, 1995.

BATAILLE, Georges

The Absence of Myth
Translated & introduced by Michael Richardson. 211 pages. Verso, 1994.

BOHN, Willard

The Dada Market: An Anthology of Poetry
Poems by forty-two poets writing in seven languages - introduction and translations into English by Willard Bohn - with bibliographical references. Southern Illinois UP,1993.

BRETON, Andre & SOUPAULT, Philippe

The Magnetic Fields (1920)
Translation/introduction by David Gascoyne. 118 pages. Atlas Press, 1985.

BRETON, André

What is Surrealism?
Selected writings edited and introduced by Franklin Rosemont. 389 pages. Pluto Press, 1978.

BROWN, Paul, editor

these are also wings: a dada/surreal anthology
Introduction by Christopher Middleton; selection of work by Arp, Ball, Picabia, Schwitters, Tzara,Breton, Char, Dali, Desnos, Eluard & Ernst, Mansour, Peret, Rigaut, with Max Ernst supplement. 46 pages. Transgravity, 1972.

CHESTER, Alfred

The Exquisite Corpse
Andre Deutsch, 1970. (?)

ERNST, Max

Une semaine de bonté: a surrealistic novel in collage
This edition is an unabridged republication of the work originally published in five volumes by the Edition Jeanne Bucher, Paris, 1934, in an edition limited to 528 sets. 208 pages. Dover 1976.

FORD, Charles Henri, editor

VIEW--Parade of the Avant-Garde 1940-1947
VIEW magazine. Foreword by Paul Bowles; compiled by Catrina Neiman & Paul Nathan. Contributors include Borges, Bowles, Brancusi, Breton, Calder, Camus, Carrington, Chagall, di Chirico, eecummings, Dali, Dubuffet, Duchamp, Ernst, Lam, Léger, Magritte, Masson, Matta, Miller, Noguchi, O'Keeffe, Picasso, Ray, Seligman, Tanguy... 287 pages. Thunder's Mouth Press, NY, 1991.

FORD, Charles Henri, editor

A Night with Jupiter and Other Fantastic Stories
128 pages. Dennis Dobson, 1947.

GIBBS, Michael

Connotations
Poems and texts. Second Aeon Publications, 1973.

HUELSENBECK, Richard

The DADA Almanac (1920).
English edition presented by Malcolm Green / Atlas Arkhive One. 176 pages. Atlas Press, 1993.

HUELSENBECK, Richard

Memoirs of a DADA Drummer (1969).
A reprint, edited, with an introduction, Notes, & Bibliography by Hans J. Kleinschmidt. University of California Press, 1991.

IRWIN, Robert

Exquisite Corpse.
Dedalus, 1995.

JARRY, Alfred

Selected Works.
Edited by Roger Shattuck & Simon Watson Taylor. The Ubu Cycle / Portfolio of illustrations / Theatre / Poems / Essays & Speculations / Fiction / Sources & Bibliography. 281 pages. Eyre Methuen, 1980.

JOSIPOVICI, Gabriel

The Big Glass.
119 pages. Carcanet, 1991.

KOTZWINKLE, William

The Hot Jazz Trio
(1989). Illustrated by Joe Servello. Django Reinhardt played the Blues / Blues on the Nile: a fragment of Papyrus / Boxcar Blues. 158 pages. Black Swan, 1991.

MANKOWITZ, Wolf

Exquisite Cadaver, being a collage of the Lives & Times of Leo Lhooq, deceased Dadaist, Surrealist and petty criminal, together with amusing facts concerning the monetarization of the works of this third-rate artificer, demonstrating how he was worth more dead than alive; the whole presenting a montage of the confused life of the artist contrasting with the valuable cadaver he leaves to dealers, collectors and all sincere art-lovers.

GIBBS, Michael

Connotations
Poems and texts. Second Aeon Publications, 1973.

HUELSENBECK, Richard

The DADA Almanac (1920).
English edition presented by Malcolm Green / Atlas Arkhive One. 176 pages. Atlas Press, 1993.

HUELSENBECK, Richard

Memoirs of a DADA Drummer (1969).
A reprint, edited, with an introduction, Notes, & Bibliography by Hans J. Kleinschmidt. University of California Press, 1991.

IRWIN, Robert

Exquisite Corpse.
Dedalus, 1995.

JARRY, Alfred

Selected Works.
Edited by Roger Shattuck & Simon Watson Taylor. The Ubu Cycle / Portfolio of illustrations / Theatre / Poems / Essays & Speculations / Fiction / Sources & Bibliography. 281 pages. Eyre Methuen, 1980.

JOSIPOVICI, Gabriel

The Big Glass.
119 pages. Carcanet, 1991.

KOTZWINKLE, William

The Hot Jazz Trio
(1989). Illustrated by Joe Servello. Django Reinhardt played the Blues / Blues on the Nile: a fragment of Papyrus / Boxcar Blues. 158 pages. Black Swan, 1991.

MANKOWITZ, Wolf

Exquisite Cadaver, being a collage of the Lives & Times of Leo Lhooq, deceased Dadaist, Surrealist and petty criminal, together with amusing facts concerning the monetarization of the works of this third-rate artificer, demonstrating how he was worth more dead than alive; the whole presenting a montage of the confused life of the artist contrasting with the valuable cadaver he leaves to dealers, collectors and all sincere art-lovers.
Andre Deutsch, 1990.

MATTHEWS, Harry

The Way Home: Selected Longer Prose.
A revised version of a collection first published in the UK in 1988. Atlas Press, 1999.

Oulipo Laboratory

Texts from the Bibliothèque Oulipienne by Raymond Queneau, Italo Calvino, Paul Fournel, Jacques Jouet, Claude Berge & Harry Matthews. Atlas Press, 1995.

PEREC, Georges

Life: A User's Manual,
translated by David Bellos, 1987. Collins Harvill. 4th imp. with corrections, 1992.

PEREC, Georges

A Void,
1969, translated by Gilbert Adair, 1994. Harvill, 1994.

PEREC, Georges

Three by Perec: Which Moped with Chrome-plated Handlebars at the Back of the Yard? [1966] / The Exeter Text: Jewels, Secrets, Sex [1972] / A Gallery Portrait [1979]
Translated by Ian Monk, introductions by David Bellos. Harvill, 1996.

PEREC, Georges

Species of Spaces and Other Pieces.
Edited and translated by John Sturrock. Penguin Books, 1997.

QUENEAU, Raymond

Exercises in Style. (1947)
Translated by Barbara Wright. 198 pages. Gaberbocchus Press, 1958.

RICHARDSON, Michael, editor

DEDALUS Book of Surrealism: The Identity of Things
An anthology with biographical notes on the authors. Dedalus, 1993.

RICHARDSON, Michael, editor.

DEDALUS Book of Surrealism 2: The Myth of the World
An anthology with biographical notes on the authors. Dedalus, 1994.

ROSEMONT, Franklin

André Breton and the First Principles of Surrealism.
A companion volume to What is Surrealism? 147 pages. Pluto Press, 1978.

ROWSON, Martin

The Life & Opinions of Tristran Shandy, Gentleman.
A caricaturist's counterpoint to Sterne's eccentric masterpiece, from a modern viewpoint, bringing in deconstruction, an Oliver Stone film version, a vomiting whale, a ship full of critics, Martn Amis and D.H.Lawrence and a lot of noses. Picador, 1996.

SATIE, Erik

A Mammal's Notebook: Collected Writings.
Edited by Ornella Volta. Atlas, 1996.

STEEGMULLER, Francis

Apollinaire, Poet Among Painters
Penguin, 1973.

STERNE, Laurence

The Life & Opinions of Tristram Shandy, Gentleman (1759-67)
Edited by Ian Campbell Ross. 595 pages. Oxford University Press, 1983.

The Automatic Muse:

Surrealist Novels by Robert Desnos, Georges Limbour, Michel Leiris & Benjamin Péret.
Translated by Terry Hale & Iain White. Four novels from the 1920s when the group was experimenting with "automatic writing" and other methods of "forcing inspiration. Atlas Press, 1994.

THEMERSON, Franciszka & Stefan

Semantic Divertisements
Gaberbocchus Press, 1962.

THEMERSON, Stefan

Apollinaire's Lyrical Ideograms
40 pages. Gaberbocchus Press, 1968.

TZARA, Tristan

Seven Dada Manifestos and Lampisteries
(1963). Translated by Barbara Wright, illustrations by Francis Picabia. John Calder, 1977/ Riverrun, 1981.

YOUNG, Alan

dada and after: extreme modernism and english literature
The beginnings of Dada / Dadaism and England / After Dada / Afterword. 247 pages. Manchester U.P., 1981.

ZOHN, Harry, editor

A Kurt Tucholsky Reader: Germany? Germany!
Introduction: "A heart of gold and a jaw of iron" / Germany? Germany! / No more wars! / Getting down to suitcases / Panther, Tiger & Co / Rhyme & Reason / A Berlin Kabarett. 256 pages. Carcanet, 1990.